Read artistic legacy. Nonsite, Site Uncertain will be on view in the Museum’s modern and contemporary gallery. The title of the work refers to the transfer of the rocks from their original "site" to a gallery or museum setting, which is the "non site." Non-sites is the title Robert Smithson gave to a group of geologically and geographically based works he began in 1968. There’s a great variety of free essays by and about Robert Smithson on his website. Accompanying these sculptures, Smithson hung on gallery walls photographs he’d snapped at the same Garden State locations, as well as Smithson began making the Mirror Displacement series shortly after his Site/Non-Site works. Robert Smithson: Oberhausen (Ruhr, Germany) Non-Site 1968, From the Robert Smithson own website: “Literal and allegorical, the Nonsites confounded the illusion of materiality and order. - A survey of artist's ephemera 1960-1999, Smart Art Press, reproduced under number 427. Bibliography: - Robert Smithson, a retrospective in 1994 in Marseille, page 47. Food for Thought: A Provisional Theory of Non-Sites. In 1967 Robert Smithson began exploring the industrial areas around New Jersey and, after assisting to dumper trucks excavating tons of earth and rocks, he described them as the equivalent of the monuments of antiquity. 945.2010. BY Mark A. Cheetham, Gary Shapiro, Amanda Boetzkes, Nikos Papastergiadis & Alan C. Braddock. Robert Smithson. Crucial to the notion of “Non-Sites” was the condition of displacement and the conservation of meaning after the removal to another site. Earlier, I invoked Smithson, and of specific relevance is his notion of the dialectic of site and non-site. Tag: Robert Smithson Home All Posts Tag: Robert Smithson. Smithson viewed entropy as a form of transformation of society and culture, which is shown in his artwork, for example, the non-site pieces. 0 51 0 obj <> endobj "Robert Smithson's adventures in time travel on the road to Rozel Point" Frieze Magazine "This Land is Your Land -- Spiral Jetty is overrun with day-trippers" Frieze Magazine Review (from issue 36): Robert Smithson Frieze Magazine "Extra Terrestrial" Robert Smithson at the Smithsonian Archives of American Art, Washington D.C. Leave this field blank . h޴�k�Ǖ��J}�10;���ed� I3��DaASm�0���z���Z>��Z9���b��v�[:�~(��8��};T{��C���a+��`��b]�r��x�{�7���z��V�f���0�C�e��vS�r�nZ�k�}�~�G�� #p��j*7F��G����?�|��'7��}�m@���. Show simple item record. Site, Non-site, and Website . This series features bin-like structures in which the artist deposited rocks, sand, broken concrete, and other elements he collected at various sites in New Jersey. Once one arrives at the “airfield”, one discovers that it is man-made in the shape of a hexagon, and that I mapped this site in terms of esthetic boundaries rather than political or economic boundaries (31 sub-division-see map). A site was a work located in a specific outdoor location, while a non-site was a work which could be displayed in any suitable space, such as an art gallery. “The strata of the Earth is a jumbled museum,” he once mused. Crucial to the notion of “Non-Sites” was the condition of displacement and the conservation of meaning after the removal to another site. The “trip” becomes invented, devised, artificial; therefore, one might call it a non-trip to a site from a Non-site. Robert Smithson designed and directed the construction of his iconic work the Spiral Jetty in April 1970. Although he was largely self-taught and never attended college, he had a solo show in New York at the endstream endobj startxref The Non-Site (an indoor earthwork)* is a three dimensional logical picture that is abstract, yet it represents an actual site in N.J. (The Pine Barrens Plains). Prices and auction sale details for "non-site (south of death valley, chalk collected somewhere between riggs)", Sculpture-Volume by artist Robert SMITHSON (6315222) James Smithson FRS (c. 1765 – 27 June 1829) was an English chemist and mineralogist.He published numerous scientific papers for the Royal Society during the late 1700s as well as assisting in the development of calamine, which would eventually be renamed after him as "smithsonite".He was the founding donor of the Smithsonian Institution, which also bears his name. Il s’agit de revenir sur le célèbre récit que l’artiste américain Robert Smithson donna en 1967 de sa visite de la ville de Passaic (New Jersey), en appréciant historiquement sa réflexion à l’aune du vaste débat suscité, vers la fin des années 1950 et tout au long des années 1960, par l’intensification du phénomène urbain aux États-Unis. Smithson did not see entropy as a disadvantage; he saw it as a form of transformation of society and culture, which is shown in his artwork like his non-site pieces. While he is most recognized for his earthworks, Smithson also created a large body of work that explored a variety of themes dealing with the post-industrial landscape, entropy, and paradox. Once one arrives at the “airfield,” one discovers that it is man-made in the shape of a hexagon, and that I mapped this site in terms of esthetic boundaries rather than political or economic boundaries (31 sub-divisions—see map). Recently, in Vancouver, lain Baxter put on an exhibition of Piles that were located at different points in the city; h~ also helpedln the presenta- tion of a Portfolio of Piles. My grandfather Samuel Holt came from Eccles in Lancashire. However, formatting rules can vary widely between applications and fields of interest or study. Vous pouvez même vous servir de votre appareil photo intégré pour capturer un document, un tableau blanc ou un reçu, et l'enregistrer au format PDF. Abstract This paper focuses on the manner in which Robert Smithson’s interventions provide us with a holistic approach of the earth system. Dans Non-Site, Franklin, New Jersey, 1968, l'oeuvre exposée est faite de conteneurs de forme trapézoïdale et de photographies aériennes, correspondant à un secteur du SITE réel. Export to EndNote / Reference Manager(non-Latin) Cancel. There’s a great variety of free essays by and about Robert Smithson on his website. He created this modern art work by making removable or ephemeral tableaux along certain pathways so that the terrain itself cannot be permanently altered. Smithson, Robert. Robert Smithson artiste, protagoniste du … Robert Smithson (born Jan. 2, 1938 in Passaic, New Yersey/died July 20, 1973 in New Mexico) is an American painter an sculptor (Land Art and Minimalism). Pour moi l’échelle agit grâce à l’incertitude. Non-site in the work of Robert Smithson: cultural interpretation and construction of space through intervention” supervised by professor V.Ganiatsas, and V.Xenou and N. Laskaris, [to be submitted in March 28th, 2008.] square box: 12 x 34 x 34in. 98 0 obj <>stream Poke around more on Smithson’s site here. (56 x 87.6cm.) Smithson was intrigued with synthesizing two contradictory aspects of art: his ecological concerns with nature and geology, and his cynical notions about public art. Quelles oeuvres du passé ont inspiré smithson pour faire la spirale jetty ? Ce site montrant Amarillo Ramp attribue bien cette œuvre à Robert Smithson - --Jean Claude alias Zivax 27 novembre 2008 à 16:02 (CET) La description d'"Amarillo Ramp" correspond à l'oeuvre "Sun Tunnels" de Nancy Holt. Robert Smithson's Ghost in 1920s Hamburg: Reading Aby Warburg's Mnemosyne Atlas as a Non-Site Robert Smithson and Nancy Holt papers, 1905-1987. Essay about robert smithson for thesis on mathematics education pdf. It takes inspiration from the work of Robert Smithson and pushes his notion of site/non-site further. The mirrors functioned to order and displace, to add and subtract, while the sediments, displaced from its original site, blur distinctions between outdoors and indoors as well as refer the viewer back to the site where the materials were originally collected.”, The aesthetical and conceptual analogy between the “Non Site”s and the” One and three” series (Chairs/Tables/Saws/Lamps, and so on..) by Joseph Kosuth (1965) is evident in the linguistic analysis by Lawrence Alloway in his essay: “Sites/Nonsites,” from the book “The Writings of Robert Smithson”, where he states  “The relation of a Nonsite to the Site is also like that of language to the world: it is a signifier and the Site is that which is signified.”, (From: http://www.robertsmithson.com/essays/provisional.htm). By falnelephe1977 Follow | Public. Smithson became affiliated with artists who were identified with the minimalist or Primary Structures movement, such as Nancy Holt (whom he married), Robert Morris and Sol LeWitt . Holt/Smithson Foundation exists to continue the creative and investigative spirit of the artists Nancy Holt (1938-2014) and Robert Smithson (1938-73). *Non-Site #1. Robert Smithson: An introduction, http://www.robertsmithson.com/essays/provisional.htm, Robert Smithson – Mapping, and the Concept of the Non-Site, Buckle Up in WTAPS’ Military-Inspired Dr. Martens 1460 Boot, Paul Smith’s Signature “Artist Stripe” Colors Braun Collaboration, Musician Performs the Theme to ‘Interstellar’ on an Underwater Pipe Organ Known as a Hydraulophone, El Govern catalán cesa a la cúpula de Asuntos Sociales y Trabajo tras la crisis de las ayudas a los autónomos, Conversación y encuentro abierto : 18.11.2020, Earth Speakr: Tu presente es mi futuro, Theory of Non-Sites, by Robert Smithson (1968). 1969. Read artistic legacy. Smithson changed the title for this text which was initially “Some Notes on Non-Sites.” It has been partially excerpted by Lawrence Alloway in “Introductions 1: Options, Milwaukee Art Center, 1979, p. 6, from Unpublished Writings in Robert Smithson: The Collected Writings, edited by Jack Flam, published University of California Press, Berkeley, California, 2nd Edition 1996, Robert Smithson: A Nonsite, Franklin, New Jersey, 1968, Robert Smithson: Gypsum Non site Benton, Ca (1968), Robert Smithson: Line of Wreckage Bayonne New-Jersey (1968), Robert Smithson: Palisade Edge Water New Jersey (1968), Robert Smithson – Mapping, and the Concept of the Non-Site Identification on verso (typed): Robert Smithson, A Nonsite (Indoor Earthwork), 1968, blue painted aluminum with sand 12"h x 65 1/2 " x 65 1/2". Elle donne accès à tous les outils dont vous avez besoin pour convertir, modifier et signer des PDF. (Kasther and Wallis, 1998: 31). Smithson, Robert, 1938-1973; Photographs; Explore & Request Collection ; Leave this field blank . h�b``f``6f �g�P#�0p4 � C1C ?ӄ�%2;t 1 La bibliographie concernant Robert Smithson est essentiellement anglo-saxonne. For two years, he was enrolled at The Art Students League in New York and, for a briefer period, at The Brooklyn Museum School. 72 0 obj <>/Filter/FlateDecode/ID[<806B5CA79D9931D8F4932001E0095B25><0F9D3B554C844944BB0DD80E2B316E05>]/Index[51 48]/Info 50 0 R/Length 94/Prev 66964/Root 52 0 R/Size 99/Type/XRef/W[1 2 1]>>stream Poke around more on Smithson’s site here. Robert Smithson, best known for his Land Art piece Spiral Jetty, and Nancy Holt, ... (Interestingly, Franklin Furnace quarry in New Jersey, where Bob got the rocks for one of his early Non-Sites, is one of the few places in the world where Smithsonite has been found.) The “trip” becomes invented, devised, artificial; therefore, one might call it a non- trip to a site from a Nonsite. Robert Smithson, Broken Circle/Spiral Hill. While still attending high school, he earned a two-year scholarship to study at The Art Students League in New York, and also studied briefly at the Brooklyn Museum School. In the Kat and his creator, George Harriman, Ware sees a tacit African American tradition: “ Krazy Kat has been described as a parable of love, a metaphor for democracy, a ‘surrealistic’ poem, unfolding over years and years . Amarillo Ramp se trouve dans le Texas ! NON-SITE (Robert Smithson, 1938-1973) At a simple level: ‘In 1967 Smithson began exploring industrial areas around New Jersey and was fascinated by the sight of dumper trucks excavating tons of earth and rock that he described in an essay as the equivalents of the monuments of antiquity. Read full biography. Below is Smithson’s brief thoughts on non-sites. ��Ϳ�чS�R��k�bW���U�c���K����9�NDf�6Ot8��S��n��c;�zG. The Jetty is a site-specific work, meant to interact with changing conditions of the surrounding water, land, and atmosphere. h�bbd``b`� "�� ��$X� fqqD��AꖁX?`:��@��D ��M�����R$�&32I00���� �jh Provenance Dwan Gallery, New York. About. (80 x 80cm.) Instead of putting something on the landscape, I decided it would be interesting to transfer the land indoors, to the Non-site, which is an abstract container. Heizercalls his earth projects "The alternative to the absolute city system." Robert Smithson, Non-Site (Mica from Portland, Conn.) 1968. Essay about robert smithson for thesis on mathematics education pdf. Forms part of: Dwan Gallery records, 1959-circa 1982, bulk 1959-1971. One side is printed with the exhibition dates and venue, the other with a sliver of a map running from Mono Lake, California to New York City, the "site" and "nonsite" for the work. Archives of American Art, Smithsonian Institution. Depuis 1951, Le Robert est la seule maison d’édition entièrement dédiée à la langue française. Executed in 1969 . Linda Barth Goldstein Fund. Quand on refuse de dégager l’échelle de la taille, on reste avec un objet ou un langage qui apparaît certain. sheet: 22 x 34 1/4" (55.9 x 87 cm); composition: 21 x 34 1/4" (53.3 x 87 cm). To understand this language of sites is to appreciate the metaphor between the syntactical construct and the complex of ideas, letting the former function as a three dimensional picture which doesn’t look like a picture. That theories are eternal is doubtful. View; 1 March 2016. Smithson develops a method of field trips and thick description and deploys the format of the travel narrative to construct reports, famously in A Tour of the Monuments of Passaic, New Jersey (1967). Detroit Institute of Arts, USA. This little theory is tentative and could be abandoned at any time. Chris Ware has been reading a lot of Krazy Kat , as we all should in these trying times. Price: Price on Request; Art Type: Installation; Size: English Comments: 0; International Comments: 0; Creating Date: Introduction and Works of Robert Smithson >> Contemporary-Art.org. Robert Smithson’s Many Flights . Below is Smithson’s brief thoughts on non-sites. Heizercalls his earth projects "The alternative to the absolute city system." Let us say that one goes on a fictitious trip if one decides to go to the site of the Non-Site. For Smithson, the “site” was “the physical, raw reality” of a location while the “nonsite” was a sample of that reality displayed elsewhere. %%EOF Tags. History of Nonsite; For Authors; The Board; Past Issues; Current Issue; Browse. An examination of the interplay between cultural context and artistic practice in the work of Robert Smithson. Robert Smithson expressed a profound interest in the arts from an early age. And how does it relate to the paradigm of ‘imageability’? Robert Smithson (1938-1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. Discover (and save!) (overall). Enlarge. While still attending high school in Clifton, New Jersey, during the mid 1950s, he attended art classes on the side in New York City. Mono Lake Site-Nonsite. unknown. It could be that “travel” in this space is a vast metaphor. Robert Smithson was a seminal American artist and writer known for pioneering the Land Art movement.His monumental earthen sculptures such as Spiral Jetty (1970), were inspired by the Minimalist work of his contemporaries, as well as geology, science fiction, and the concept of entropy. Contact us Contact Client Service info@christies.com. ΤΟ ΑΙΘΡΙΟΝ 5, ΕΠΙΣΤΗΜΟΝΙΚΗ ΕΠΕΤΗΡΙΔΑ ΠΟΛΥΤΕΧΝΙΚΗΣ ΣΧΟΛΗΣ. Browse upcoming and past auction lots by Robert Smithson. Robert Smithson's Ghost in 1920s Hamburg: Reading Aby Warburg's Mnemosyne Atlas as a Non-Site Holt and Smithson developed innovative ways of exploring our relationship with the planet, expanding the limits of artistic practice. Drawings and Prints. The flyer for Smithson's February 1-27, 1969 exhibit at Dwan Gallery, New York. Digital ID: 15204. The dialectic tension between Sites and Non-Sites is established by the photographs, and above all, by the maps exhibited with the containers. On ne peut pas parler de Robert Smithson sans parler de poésie. Robert Smithson's earthwork Spiral Jetty (1970) is located at Rozel Point peninsula on the northeastern shore of Great Salt Lake. Born in Passaic, New Jersey, in 1938, Robert Smithson’s artistic talent was recognized at a young age. Between the actual site in the Pine Barrens and The Non-Site itself exists a space of metaphoric significance. Smithson, Michael Heizer and Nancy Holt traveled to Mono Lake in July 1968 and filmed their visit. While the Site pieces generally used material from outside the gallery - rocks, rubble - which was piled in low containers, the Mirror Displacements saw the materials simply dumped in heaps on the floor and divided up by mirrors. Non-site slag, Pine Barrens, New Jersey, 1968. Buy the Work. It is an earthwork that can be viewed from atop Rozel Point. En d’autres termes, le site, comme le lieu, espace concret, existe géographiquement alors que le non-site est un espace imaginaire. Robert Smithson expressed a profound interest in the arts from an early age. Work Overview The image is only use for information, not for commercial use. Download pdf. Le non-site est un moyen pour Smithson de donner à voir, mais à sa manière. Whereas a “Site” is scattered information, a place you can visit, experience, travel-to, a “Non Site” is a container, an abstract work about contained information. 2 x 86 cm In perfect condition. Studying became a dominant strategy equilibrium is marked by free trade agreement nafta conceived education, as well as personalised attention to issues of one good is normal, not aberrant, in american … A pile of rocks in a gallery is an “abstract” way to represent their site of origin. ... Art's development should be dialectical and not metaphysical. Citation Information: View of Robert Smithson's A Nonsite exhibition, 1968. Rights Statement: Current copyright status is undetermined. By drawing a diagram, a ground plan of a house, a street plan to the location of a site, or a topographic map, one draws a logical two dimensional picture.A logical picture differs from a natural or realistic picture in that it rarely looks like the thing it stands for. The death of Robert Smithson in a plane crash in 1973, while flying over one of his works in progress, helped forge the mythical aura of this American artist who, at age 35, left behind a literary and artistic legacy that would deeply impact the art world. It is here - in Smithson's perpetual relay between here and there, open and closed, edge and centre - that any such model locates its history and derives its logic. "that earth does not exist. Aug 3, 2014 - This Pin was discovered by Crystal Gwyn. Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist known for sculpture and land art who often used drawing and photography in relation to the spatial arts. %PDF-1.6 %���� (…) L’échelle dépend de la capacité de chacun à prendre conscience des réalités perceptives. your own Pins on Pinterest Using over six thousand tons of black basalt rocks and earth from the site, Smithson formed a coil 1,500 feet long and 15 feet wide that … By drawing a diagram, a ground plan of a house, a street plan to the location of a site, or a topographic map, one draws a “logical two dimensional picture.” A “logical picture” differs from a natural or realistic picture in that it rarely looks like the thing it stands for. Les Éditions Le Robert. Whereas a “Site” is scattered information, a place you can visit, experience, travel-to, a “Non Site” is a container, an abstract work about contained information. "that earth does not exist. Robert Smithson. They provided the viewer the link between the original sites and their representations, – that is: between outdoors and indoors -, and implied the performance aspect of the passage between the two locations, throwing emphasis on the spatial practices based on time, duration and physical participation. Non-site in the work of Robert Smithson: cultural interpretation and construction of space through intervention” supervised by professor V.Ganiatsas, and V.Xenou and N. Laskaris, [to be submitted in March 28th, 2008.] Offset. Another famous example of Site Specific Art is Robert Smithson’s ‘Spiral Jetty’, which he created in 2005. Next. Robert Smithson: Monolake Non-Site 1968. While he is most recognized for his earthworks, Smithson also created a large body of work that explored a variety of themes dealing with the post-industrial landscape, entropy, and paradox. Spiral Jetty is an example of a sited work, while Smithson's non-site pieces frequently consist of photographs of a particular location, often exhibited alongside some material (such as stones or soil) removed from that location. In 1968, Robert Smithson realized an important group of works he collectively called Nonsites. Recently, in Vancouver, lain Baxter put on an exhibition of Piles that were located at different points in the city; h~ also helpedln the presenta- tion of a Portfolio of Piles. By visiting our website or transacting with us, you agree to this. Abstract. essay questions on citizen kane ; From the perspective of biocultural co constructivism p. New york: Academic press. Robert Smithson Hotel Palenque Pdf. Robert Smithson, Non-Site, Franklin, New Jersey, 1968. Dwan Gallery, New York. His experiments with maps and mapping began in 1966, when he was … Robert Smithson, 1938 / 1973 « La taille détermine un objet, mais l’échelle détermine l’art. For two years, he was enrolled at The Art Students League in New York and, for a briefer period, at The Brooklyn Museum School. c `� � ����š��aS�D��Q�t!4� �a��B-�b&���>�0�������"��` ��� It is by this dimensional metaphor that one site can represent another site which does not resemble it – this The Non-Site. essay questions on citizen kane ; From the perspective of biocultural co constructivism p. New york: Academic press. It is a two dimensional analogy or metaphor – A is Z. ?~q��7��/�_�}���v��/����Ū0z��o>��櫻��֬�;u7����?�7����W߿ݏ�~j����n?�����o�|uww��7����ۛ�~����[{�7�����|���w�_�|������������b ��k�O$~n_�}s���f]���I؎7�������{۞�"�Ԟ���nϪ-k-۳^�����7~q���o��C8Q��/_�ɿ����w����X����P㳘m�g[��S볭�C�Y+㊊���"�gC?�`��l��ae��YiL�c��o���ϟ����fR�b5����o�h�W�Xʡ�`�����_��]���0��͟���=ۢw�/�}��o���������o!�6�'_o������0�x����_?����?ܲ�~��w�eV޾�n[����/����%�4}���_߾��G�����[����������������R��q�6�vT�W�z�ꯟ|��۷����᛻�������|uk̷���?�����?� {AϫՖ���ŏ7�v���T�{�/o�����_�|���^�6��?���)�.��7/��w�sX9wM��#��4��׷�g^�������~����y��͚�/������yem{� ,�ɻ����s{��x������'�Mk߻��T��1�C�g�&���b�������0�8$�R�G�t�{��x�1�����m�j�ح��{8�R�9r��3Q��s�z��)a�7��:��:ZarC�}�|,&I���N7��t�Y�F ��������x��=�m]�[�ɧ�/�r"�Y1��cc�G;��T�4%��U�kV��&��ٖxgd�*l�γ��� �6~a������y:)�Y�!��)�:���.���f�$��MO��>X�lk��bg[m��>���d�V�����n�i�&3��vmR[�I�V���K}1��%��P����"�I�����x[� ��ؙmK��Z�Z���=���l �`[%��k7[����iO�dq3Ua��Ѵ�h���L��F;�w6n��Ǭ����-���;N��E�3��tD[�2[�hk����%f6#�e�|Ws��ac����5��Q��%c��M���s~��U�X�7Vy9�S?�����w��}gl� ���Өd��cree����/�0���>����Ɏ��N�D�Fi���k����l�=��2�{���y�sv6����Ў�3ڦUJ�؄Q_�}ve��M_(�{�v��Q Note: Citations are based on reference standards. Robert Smithson (1938-1973) Double Nonsite, California and Nevada signed and dated 'Robert Smithson 68-69' on the masonite backing of the map map with five steel boxes painted white with lava from the Mojave Desert, California and obsidian from the Cinder Cone in Queen Valley, Nevada map: 31 x 31in. Smithson did not see entropy as a disadvantage; he saw it as a form of transformation of society and culture, which is shown in his artwork like his non-site pieces. Previous. Keywords: nonsite, franklin, new, jersey, 1968. This non-sité, a place Iacking purpose, is évidence of a visión not realized ánd a man-madé intervention entropically faIling back into thé earth. A logical intuition can develop in an entirely “new sense of metaphor” free of natural of realistic expressive content. It is a two dimensional analogy or metaphor – A is Z. By Richard Rinehart. ��rtl (31.8 x 86.3 x 86.3cm.) Creator: Unidentified. We use our own and third-party cookies to personalize your experience and the promotions you see. The series of “Non-Sites” resulted from the installation in the gallery of gravel, rocks, salt materials collected from specific mines, excavations or quarries, usually contained in boxes of galvanized steel or situated within mirrors formations. Citation Information: Robert Smithson. endstream endobj 52 0 obj <>/Metadata 4 0 R/OCProperties<>/PageLabels 47 0 R/PageLayout/OneColumn/Pages 49 0 R/PieceInfo<>>>/StructTreeRoot 11 0 R/Type/Catalog>> endobj 53 0 obj <>/ExtGState<>/Font<>/ProcSet[/PDF/Text/ImageC/ImageI]/Properties<>/XObject<>>>/Rotate 0/StructParents 0/Tabs/S/Type/Page>> endobj 54 0 obj <>stream Mono Lake Site Mono Lake Non Site signed and dated 'Robert Smithson 69' (along the lower edge); titled 'Mono Lake Site' (lower left); titled 'Mono Lake Nonsite' (lower right) offset stripes of Mono Lake map on paper (singel sheet) 22 x 34½in. ΤΟΜΟΣ Κ΄, ΘΕΣΣΑΛΟΝΙΚΗ 2008 Make a Reproduction Request. Cannel coal, steel, and enamel, 15 x 90 x 90 in. Read full biography. Chaque conteneur est rempli du minerai prélevé à l'endroit même que représente le prélèvement photographique. by Robert Smithson. In the 1960’s, artist Robert Smithson articulated the strategy of representation summarized by “site vs. non-site” whereby certain artworks were simultaneously abstract and representational and could be site-specific without being sited. Robert Smithson is most well known for his monumental earthwork Spiral Jetty, 1970, located in the Great Salt Lake, in Utah. Robert Smithson’s ghost in 1920s Hamburg: reading Aby Warburg’s Mnemosyne Atlas as a non-site By L. Brown and C. Green Get PDF (406 KB) Dec 1, 2016 - In 1967 Robert Smithson began exploring the industrial areas around New Jersey and, after assisting to dumper trucks excavating tons of earth and rocks, he described them as the equivalent of the monuments of antiquity. Le spectateur est alors transporté par la vision de l’artiste, qui véhicule via cet appareil son propre ressenti, sa propre poésie. Vanished theories compose the strata of many forgotten books. Smithson became affiliated with artists who were identified with the minimalist or Primary Structures movement, such as Nancy Holt (whom he married), Robert Morris and Sol LeWitt. Famous Artists . Robert Smithson (January 2, 1938 – July 20, ... Spiral Jetty is an example of a sited work, while Smithson's non-site pieces frequently consist of photographs of a particular location, often exhibited alongside some material (such as stones or soil) removed from that location. Robert Smithson is most well known for his monumental earthwork Spiral Jetty, 1970, located in the Great Salt Lake, in Utah. View Non-site Myers N.Y- Salt Mines by Robert Smithson on artnet. Smithson oppose le site, lieu réel, à son envers, le non-site, comme l’on pourrait opposer le lieu à son envers, un espace pensé ou idéalisé mais pas encore devenu lieu, c’est-à-dire pas encore investi ou habité. “Expressive art” avoids the problem of logic; therefore it is not truly abstract. Paper strip of a map of the United States printed on blue paper. Liens externes modifiés. 2. Accédez facilement aux fichiers. Cardboard published for the exhibition organized by the Dwan Gallery in New York in February 1969. Robert Smithson, (born Jan. 2, 1938, Passaic, N.J., U.S.—died July 20, 1973, Amarillo, Texas), American sculptor and writer associated with the Land Art movement.His large-scale sculptures, called Earthworks, engaged directly with nature and were created by moving and constructing with vast amounts of soil and rocks.. Smithson preferred to work with ruined or exhausted sites in nature. On blue paper Salt Lake, in 1938, Robert Smithson on his website of Robert Smithson, Robert 1938-1973. An earthwork that can be viewed from atop Rozel Point peninsula on the manner in which Smithson. Exists a space of metaphoric significance accès à tous les outils dont vous avez besoin pour convertir modifier! Education pdf imageability ’ passé ont inspiré Smithson pour faire la spirale Jetty and of specific relevance his! Chacun à prendre conscience des réalités perceptives site-specific work, meant to interact changing., I invoked Smithson, a retrospective in 1994 in Marseille, page 47 besoin pour convertir, et! Dialectic of site and Non-Site well known for his monumental earthwork Spiral Jetty in April 1970 in! Realized an important group of geologically and geographically based works he collectively called Nonsites Robert... With the containers Michael Heizer and Nancy Holt traveled to Mono Lake in July 1968 filmed! 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